Most of us associate Handel’s Messiah with Christmas, or perhaps with Advent, the season of preparation for Christmas. But, in truth, Handel did not write the Messiah as a piece of Christmas music. We know this for a couple of reasons. First, if you pay close attention to the words of the Messiah in the libretto (the text of the music) written by Charles Jennens, you’ll discover that only the first part of the composition has to do with the birth of Jesus. The second and third parts focus on his death, resurrection, the sending of the Spirit at Pentecost, and the final resurrection of all believers. Second, the first performance of the Messiah occurred, not during Advent or Christmas, but in Eastertide. Handel’s masterpiece was first performed in Dublin on April 13, 1742, 19 days after Easter. This was surely no accident. If Handel had envisioned the Messiah as a piece for Christmas, it would have been introduced in this season.
I am honored to be making my debut with Pittsburgh Camerata this year. I will be signing CD’s in the lobby following the performance. Please join me